And we’re off!

Suchi Chatterjee (researcher, Brighton and Hove Black History) and Scobie Lekhuthile (curator, Khama III Memorial Museum) discussing the project.
Suchi Chatterjee (researcher, Brighton and Hove Black History) and Scobie Lekhuthile (curator, Khama III Memorial Museum) discussing the project.

Last week was the first time that everybody working on the Making African Connections project was in the same room together. This was a very exciting moment for us and was no small feat, people travelled from Namibia, Botswana, Sudan and all across the UK to attend our first project workshop. We began by discussing the project together and then broke into three groups to discuss the three museum collections of African objects that are now in Kent and Sussex.

The first working group was discussing a collection of Batswana artefacts donated to Brighton museum by Revd Willoughby, a missionary. Staff at the museum will be working with researcher Winani Thebele (Botswana National Museums) and curator Scobie Lekhuthile (Khama III Memorial Museum) as well Tshepo Skwambane (DCES) and Suchi Chatterjee and Bert Williams (Brighton and Hove Black History). The second case study focuses on a large collection of objects from South West Angola that are held at the Powell-Cotton Museum and were acquired in the 1930s. The objects are mainly Kwanyama and this part of the project has, as its advisor, an expert in Kwanyama history, Napandulwe Shiweda (University of Namibia). Finally, the project will consider Sudanese objects held at the Royal Engineers Museum. Research for this part of the project is being conducted by Fergus Nicoll, Reem al Hilou (Shams AlAseel Charitable Initiative) and Osman Nusairi (intellectual).

The aim of the workshop was to decide together what the priorities for the project were. We will begin digitising objects for our online archive in April so we need to know which objects we want to work on first as some of the collections are very large. It will only be possible to create online records for a selection of objects.

Before the workshop on Wednesday we had arranged for all the participants to visit the relevant galleries and see objects in storage. This had lead to some interesting and difficult conversations that we were able to build on during the workshop. Perhaps the clearest thing to come out of the meeting was the sheer amount of work to be done to fully research these collections and to understand their potential to connect to audiences and each other.

Dr Nicola Stylianou, University of Sussex

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