Restoring location, exhibiting space and mapping absence
Item Set
Title
Restoring location, exhibiting space and mapping absence
Creator
Description
Over the course of my time working as a small part of the Making African Connections project, I have attempted to determine locations of collection and creation for a number of objects housed at the Powell-Cotton Museum. This has presented two main challenges which I will outline here.
Firstly, the way I thought about place and space before undertaking this project was overly simplistic. This was because I, and others, have become accustomed to pinpoint accuracy and highly specific locations provided by GPS and Google Maps. This has been confounded by much of the work I have been doing where space must be understood contextually in order to make sense. Rather than being tied to a specific building, village or province, I have been prompted to focus on areas of possibility in which I might be able to locate objects. Representing this uncertainty is difficult because the mapping module used depends upon dropping pins on the map which, by their nature, indicate a specific point. When I know that an object was collected 12km away from Mupa but cannot be more specific than that, the use of technology to achieve the goal of mapping such objects becomes limited.
Another challenge that I have encountered has been the difficulties associated with place names recorded in the documents relied upon to do this research (these documents are listed below in the sources section). Not only is the spelling variable, but often names have changed over time. For example, Kubelai, as written in Diana Powell-Cotton’s 1936 diary is now known as Cuvelai. This makes it difficult to trace locations, especially in areas for which precise low-level mapping is not necessarily highly available. Furthermore, there are many instances in which the names of places are used interchangeably with those of people. An example of this would be Kanguli which is used in Diana Powell-Cotton’s diary and might appear at first to be a place. In fact, Kanguli was a man encountered by Diana and her sister Antoinette and the place was his compound or village.
These theoretical and practical challenges have made it difficult to determine with certainty the locations of many of the objects investigated. That being said, it is an important step forward in highlighting the potential issues for anyone undertaking similar work.
Firstly, the way I thought about place and space before undertaking this project was overly simplistic. This was because I, and others, have become accustomed to pinpoint accuracy and highly specific locations provided by GPS and Google Maps. This has been confounded by much of the work I have been doing where space must be understood contextually in order to make sense. Rather than being tied to a specific building, village or province, I have been prompted to focus on areas of possibility in which I might be able to locate objects. Representing this uncertainty is difficult because the mapping module used depends upon dropping pins on the map which, by their nature, indicate a specific point. When I know that an object was collected 12km away from Mupa but cannot be more specific than that, the use of technology to achieve the goal of mapping such objects becomes limited.
Another challenge that I have encountered has been the difficulties associated with place names recorded in the documents relied upon to do this research (these documents are listed below in the sources section). Not only is the spelling variable, but often names have changed over time. For example, Kubelai, as written in Diana Powell-Cotton’s 1936 diary is now known as Cuvelai. This makes it difficult to trace locations, especially in areas for which precise low-level mapping is not necessarily highly available. Furthermore, there are many instances in which the names of places are used interchangeably with those of people. An example of this would be Kanguli which is used in Diana Powell-Cotton’s diary and might appear at first to be a place. In fact, Kanguli was a man encountered by Diana and her sister Antoinette and the place was his compound or village.
These theoretical and practical challenges have made it difficult to determine with certainty the locations of many of the objects investigated. That being said, it is an important step forward in highlighting the potential issues for anyone undertaking similar work.
Publisher
Making African Connections
Date
July-August 2021
Source
Antoinette Powell-Cotton 1937 Diary
Diana Powell-Cotton 1936 Diary
Items
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Piu
Piu is named as the owner of an enclosure by Diana Powell-Cotton in her 1936 Diary (specifically the entry for 12 May 1936). He is associated with a number of objects and it is indicated that he was a metal bead maker. -
Beads, tiny green, woman's
These beads were known as ondombo according to the Duplicate Memorandum Book (see below). -
Kavela
Kavela was a Kwanyama smith who forged and smelted several objects in the 1930s which are now held by the Powell-Cotton Museum. He is named as the owner of an enclosure in Diana Powell-Cotton's 1936 Diary - p. 104 onward. -
Rattle, pierced gourd filled with grain, used by woman curing the sick, along with drumming.
This rattle (lusangu) would have been used by a medicine woman to administer to people of any gender. It was used alongside drumming. This is all according to the Duplicate Memorandum Book (see below). -
Cupping horn, goat, with wax and honey at tip
The wax comes from the honey of little flies found in trees. It is applied with the wetted end over a surface. Then it is fixed in place by suction of the lips for a few seconds. The horn is called a sumo. This is all according to the Duplicate Memorandum Book (see below). -
Round gourd with long thin neck, circular hole cut in body
Round gourd with long thin neck, circular hole cut in body, used as a funnel for enemas. [NSty 08/21] -
Metal smelted into 3 lumps
Rough lumps of metal (see Space/Place for potential locations). -
Comb, wood, 10 prongs, decorated grooves, man's
This comb was worn by a man in his hair and is small according to the Duplicate Memorandum Book (see below). -
Doll, female, clay and wood. Decorated beads, ostrich shell, brass bangle
This doll (oka'na) was the possession of a young girl worn in cloth on back. This is according to the Duplicate Memorandum Book (see below). -
Tassel, nuts? On leather band. Worn by woman across shoulders. With skin bag [?]
The bag used to carry a baby is called an e'embe. This is according to the Duplicate Memorandum Book (see below). -
Cake, green fibrous matter (nuts) for mixing with butter and lakula and rubbing on body
Cake (edilo) is made from pounded nuts (emeke). It is stood for 20 days in a heavy copper ring then pounded again and mixed with lukula powder and butter. Rubbed on the body and hair of both men and women. This is according to the Duplicate Memorandum Book (see below). -
Clay figure of mother with baby with back skirt etc.
This figure is a woman with a young child in clay, complete with hair. This is according to the Duplicate Memorandum Book (see below).